02x05 - Blindspot

[bunniefuu]

Previously on "Average Joe"...

I figured out who's
coming after Imani,

-who's coming after us.
-Sipho.

The suspect's fingerprints
have been burned

or lasered off,

denoting suspect
as a possible k*ller for hire.

The question, then, is,
who hired him?

Wait. Will you take these
for me, please?

I need you to be safe.

-There's this bar.
-It's called R Jay's Cove.

You hand this in at the door.

-Yeah?
-Mm-hmm.

Bad-a*s drug dealer, Joe.

He told me that he k*lled
Teddy, Teddy's wife.

This guy k*lled my mom and dad?

Imani.

-What's the next move?
-There is no next move.

I'm the reason that she's dead!

Imani, none of this is on you.

None of it, you hear me?
None of it.

I need my g*n back... you said
that you still have it.

It was in my bag,
and now it's gone.

It's Imani.

Sipho!

My mother!

[g*nsh*t, people screaming]

Get the girl!

Imani!

Help, Joe!

[tires squealing]
Joe!

[birds chirping]

[somber music]

♪♪

[breathing heavily]

[dramatic music]

♪♪

Get up.

♪♪

-What's your name, boy?
-Bongani.

Bongani.

Looks like the Lord,
our Father, has spared you.

Hmm?

You like this?

Yes, you do like it.

It was a gift
from my mother to me.

Now I give it to you,

from a father
to his new son, huh?

[breathing heavily]

There.

You're my son now.

I will teach you,
and you'll do great things.

Do you understand?

-Do you understand me, boy?
-Yes, Father.

Excellence, my son.

♪♪

Your first task...

take this...

And k*ll him.

Now.

[heart beating]

Finish him.

♪♪

k*ll him!

[heart beating rapidly]

♪♪

[breathing heavily]

[g*n c*ck]

My son!

[continues breathing heavily]

♪♪

-[engine revving]
-No! Help, Joe!

Help, Joe!

Imani!

Imani.
[groans]

[engine revving]

♪♪

[engine turning over, revving]

♪♪

-You okay?
-No!

You didn't see
that m*therf*cker punch me...

f*cking as*h*le.

♪♪

[people clamoring]

-The girl!
-Where's the girl?

We will get the girl, sir,
but we have to go.

Thank you, Father,
for protecting your son.

♪♪

[engine turning over,
tires squealing]

♪♪

-I got you. I got you.
-I got you. I got you.

-Come on, come on, come on.
-[breathing heavily]

-Okay, shh, shh.
-Wait, wait, wait, wait. Shh.

Listen, listen, you're okay.
You're okay. You're okay.

Don't... don't leave me,
Benjamin.

-I'm right here.
-Don't leave me.

I'm not going anywhere, but
you need to calm down, okay?

You're hyperventilating.
You got to breathe, Phyllis.

Breathe.

Look at me.
Hey, look at me.

Just... you need to breathe.
Listen.

Um, sh*t.
Um, uh...

♪ Joy and pain ♪

Remember this?

♪ Like sunshine... ♪
both: ♪ And rain ♪

♪ Sing it now,
God's children ♪

Sing.

Both:
♪ Joy and pain ♪

♪ It's like sunshine ♪

both:
♪ And rain ♪

-There we go.
-There we go.

Okay.

You feel that?

Good, okay?

You're doing great.
Just take it easy.

-What happened to Imani?
-I don't know.

I know that Joe went after her,

but I do know that we got
to get the f*ck out of here.

Come on.

-What? What?
-I can't lose her.

Benjamin, please.
I can't lose her.

You won't.

Look at me.

You won't.

-Okay?
-Mm-hmm.

-Follow my lead.
-Let's get out of here.

Come on.

[people clamoring]

♪♪

-[tires screech]
-Aah!

♪♪

[shouting in native language]

[tires screech]

♪♪

What the hell's going on here?

[concerned chatter]

[people shouting
in native language]

[tires squealing]

♪♪

-sh**t him!
-sh**t him!

♪♪

[tires squealing]

[b*ll*ts ricocheting]

♪♪

-What the f*ck?
-sh*t!

[screams]

[tires squealing]

[speaking native language]

[shouting in native language]

Aah!

♪♪

[engine revving]

Oh, f*ck.

[person groans, Imani coughs]

♪♪

Where do you think you're going?

-Let go of me!
-Let go of me!

[both grunting]

Let go of me!

♪♪

Joe, Joe, Joe, Joe.

I'm okay. I'm okay.

We got to go, now.

[grunting, breathing heavily]

Thank you. Thank you.
Thank you.

-You okay?
-Yeah, I think so.

-Are you sure?
-I think so.

Thank you.
Thank you.

-Put that on.
-Okay.

[engine turning over]

♪♪

[insects chirping,
distant dogs barking]

[sighs]

-[door opens, closes]
-Hey.

Were you able to get
in touch with Imani?

No.

No, not yet.

Yeah, I couldn't, uh,
get Joe on the line either.

You okay?

I just...

I just want...

I just want you to know that
I never meant for any of this

to happen.

I'm sorry.

-Sorry?
-What are you talking about?

Any of what?

You know none of this
is your fault, right?

And, Imani, if anything
happens to you...

Nothing's gonna happen to her.

Phyllis, look at me.

Nothing's gonna happen to her.

Joe is gonna find her.
He's gonna bring her home.

That's what he does.

But you have to talk to me.
What's going on with you?

What happened out there today
at the parade?

You were talking
about your sister or something.

You said you couldn't save her.
What was that?

[sniffles]

[sighing]

My sister, Nandipha...

she was my younger sister.

She passed away
because I couldn't heal her.

She passed away
because I couldn't save her.

I'm sorry.

And then Imani's mom...

Jamila.

She was my dearest friend.

I didn't even see death for her.

I believed
my ancestors called me.

Yeah.

I was called to be a sangoma.

But how can I be a healer
if I cannot save

the ones
that matter to me the most?

This... this life...

my life...

it's a lie.

-No, it's not.
-No, don't say that.

This is not a lie.
This is your life.

Phyllis, this is
what you do, okay?

But sometimes, you know...

no matter how hard you try...

Some people just can't be saved.

Some people don't want
to be saved...

like me.

No.

No, Benjamin.

[sighs]

No...

Benjamin, not like you.

You have so much love in you.

-I don't.
-So much.

This, I know.

This, I can feel, okay?

The pain in you
is suffocating that love.

You need to let it go.

-You need to...
-I can't.

I f*cking can't.

There's something
you should know about me.

[solemn music]

[sniffs]

[exhales sharply, chuckles]

I...

I am a drug addict.

Hey...

look at me.

I know.

I know.

[sniffles]

Like Nandipha.

♪♪

-Holy sh*t.
-So your sister was a...

A heroin addict, yes.

And whenever you look at me...

-I see her.
-You see her.

[sniffles]
And if you let me die...

[voice breaking] I let
her die all over again, yeah.

[sniffles]

So that's why you were trying
so hard to save me.

♪♪

[inhales sharply]

That is why
I've been trying to save you.

[sniffles]

Oh, f*ck.

[sighs]

Oh, f*ck.

♪♪

So help me.

-Help me.
-[sighs] I can't.

Yeah, you can.

Yeah, you can.

You're a...
you're a sangoma, right?

You're a healer.

So heal me.

-But, Benjamin...
-Because we can't...

I can't keep living
like this, okay?

So heal me.

Heal your sister.
I'm Nandipha.

-[chuckles]
-Make her pain go away.

Help me, please.

[both crying]

♪♪

I'm gonna say this,

and I'm just gonna
leave it there, okay?

You cannot go around
this m*therf*cker

trying to sh**t m*therf*ckers!

No, Joe, it's just...

I was so angry about everything
that happened to my mom.

I saw red, okay?

Sipho still needs to die, okay?

I-I understand all those feelings

that you have, all right?

I understand everything.

But you got to understand.
That ain't you.

And that ain't never
gonna be you, all right?

Revenge is nothing,
nothing at all.

It's not gonna bring
your mother back.

It's... it's gonna ruin
your f*cking life, okay?

And your mother wanted
better than that, all right?

-You can't do that sh*t, okay?
-Okay.

-You feel me?
-I do.

[scoffs] 'Cause when you
do sh*t like that,

you put us all at risk,
all right?

-And I can't have that sh*t.
-Joe, I didn't...

I didn't mean to put
you at risk, okay?

It's just... I'm sorry.

[sighs] Listen...

you are
my little sister now, okay?

And I got you.
I promise I do.

But I got to make it home.

-I got to make it to my girls...
-Yeah.

Jenn and Ange.

And I can't get home
with m*therf*ckers after you.

You hear me?

'Cause if they after you,
they after me.

And if they after me...

I'm not dying in Africa.

[ominous music]

♪♪

When the shadow has passed
beyond our line,

you will have paid us
$40,250,000.

[match scratches]

-Beg your pardon, sir.
-Mm.

Will you be needing
anything else this evening?

Any words on the girl
or the Americans?

Nothing yet, sir.

Then you may go, Bingo.

Of course, sir.

Good night.

Oh, uh, Bingo.

Your mother.

Is she still a wh*re?

Excuse me, sir?

-Your mother...
-she was the town's wh*re, yes?

Which makes you the son
of the town's wh*re.

[sighs]

I guess it does, sir.

-Good night.
-Yes, yes, well, tell me.

Tell me, son of the town's wh*re,

when you visit your mother,

do you kiss her on the cheeks
when you see her,

or do you kiss her
on the lips, hmm?

Where you can taste
the foul breath of every man

from here to Johannesburg?

Having a bad night, are we, sir?

-I don't know.
-Am I having a bad...

I don't know
if I'm having a bad night!

I don't know!

An army of Afghan militants
are on their way here

to chop me into pieces,

then burn those pieces
and... and urinate on my ashes.

Am I having a bad night?

But I suppose
that is nothing compared

compared to the pain
your mother must have felt

when a team of herdsmen
filled every orifice

she had to offer them.

Sir, the last time we did this

was on the anniversary
of your mother's death,

and you almost did not make it.

I prefer
not to do it tonight, sir.

You prefer not to do it tonight?

-Yes.
-You prefer not to.

And I... [scoffs] I would prefer
it if your mother

sat her big fat a*s
on my big fat...

[groans, gasps]
Yeah, there it is.

There it is.

♪♪

[breathes heavily]
Yes.

[laughs]
Yes.

[groaning in pain]

♪♪

[laughing wheezily]

Forgive him, for he knows not
that his mother

is a big wh*re!

[choking]

♪♪

Good night, sir.

♪♪

[exhales deeply]

[whispering voices]

[distant singing]

[whispering voices]

[voices stop]
[gasps]

[wind blowing,
animals chattering]

[whispering voices]

Excuse me.

Hello.

Hello.

Are you...

are you Donna?

Mommy, look what I found.

-Mama. Mommy.
-No, Donna!

No, no, no, no, no!
[g*nsh*t]

Yes, Benjamin's friend.

Yes.

Um, it's lovely to meet you.

I was hoping we could speak.

-I'm sorry. I'm quite late.
-Meeting my mom for lunch.

Yes, your mom...

[chuckles]
Tess.

That's... that's lovely.

Um, but I really think
it would be helpful to Benjamin

if we could speak.

Please tell Benjamin...

tell Touch...

the truth will set him free.

-Wait.
-Only... only that?

"The truth will set him free"?

It's the lie
that's been k*lling Touch,

not his guilt,

not me.

Remind him he has a family
that loves him dearly.

They need to hear his truth.

Please, Donna, don't go.

I-I came a very long way
to see you.

No, sangoma.

They came a very long way
to see you.

[whispering voices]

[gentle music]

♪♪

Jamila!

Nandipha!

[laughing]

♪♪

[sniffles]

♪♪

[wind blowing]

Benjamin.

I met Donna.

[crying softly]

She has a message for you.

[gentle music]

♪♪

-Pretty quiet during the ride.
-You okay?

[sighs] Mm, yeah.

How's your face?

-I don't know.
-How's my face?

-You've looked better.
-f*ck you.

Hey, um, do you think
you could ask Joe

if I could, uh, talk
with you and him and Touch?

Uh, yeah, sure.

What about?

About me...

about what a selfish b*tch
I've been.

[chuckles]

Look, Joe saved our asses
with that hit man,

and he didn't have to.

But he showed up,

and I know he showed up
because he loves you, Lee.

And I know you love him, too.

[sighs] And then to see him
going after his sister

like that, I...

I realize I do need
to think less about myself

and more about how to help you

help him get back
to Ange and Jenn.

Well...

we can definitely set that up.

Mm.

You still love me.

There I go, interrupting
the f*cking again.

-Joe!
-[chuckles]

-You're back!
-[chuckles] Hey, buddy...

-Cathy.
-Cathy, thank you.

Thank you so much
for trying to save me.

-You're welcome.
-I-I need to get out of this.

-I can smell.
-[laughs] Are you okay?

Mm-hmm.

If it's cool with you,
um, Cathy wants to talk

to, uh, me, you, and Touch
about some things.

-Yeah, yeah, yeah.
-That's good.

Touch made it back?

Actually, uh, we just
got here ourselves.

I'm not even sure.

Hey, Touch.

Imani, thank God you're okay.

-Touch.
-Scared the sh*t out of us.

-Oh.
-Oh, Joe.

Jesus, man, I was
so f*cking worried about you.

I'm here, too.

-Yeah, no, I see you.
-[laughs]

-Hey, uh, do we...
-should I... do we need to...

No, no, no, no, no,
I already talked to her.

And she promised...

Yes, that I ain't gonna be trying

to sh**t m*therf*ckers no more.

I didn't... I didn't teach her
that last part, but she...

Please don't.

Um, where's, um, Aunt Phyllis?

She's downstairs in her shop.

I think you should go see her.

Yeah, I will.

Mm.

Thank you again.

Yeah.

Night.

-What the f*ck did I miss?
-[scoffs]

[scoffs] A lot.

On that note, um...

can we talk?

Yeah.

Let's sit down.

[door opens, closes]

-Imani.
-Auntie.

[laughs, crying]

-I'm sorry.
-[continues crying]

-[sighs]
-Okay?

I'm sorry, okay?

Why are you crying?

Why?

You.

I mean, what were you thinking?
What were you thinking?

Why are you stealing g*ns and...

We almost lost you today.

Why are you taking g*ns
and... and trying to k*ll a man?

-Imani.
-I'm sorry, okay? I just...

[sighs] I just couldn't stop
thinking about Ma,

and, Aunt, please...

[gentle music]

♪♪

Imani, um...

I spoke to your mother today.

What?

She's with my Nandipha.

[laughs]

And she told me to tell you...

♪♪

"I love you."

♪♪

So...

that's it.

I'm sorry for being
a selfish b*tch.

And?

Sorry for lying about the heroin.

And?

And for lying about knowing

that your dad's name was Philsky.

And?

That's all I got, m*therf*cker.

[laughter]

I'm just... I'm just f*cking
with you.

[laughs]

Look, I-I know
it's gonna take a while

before you guys
really trust me, but...

don't take it out on Lee, okay?

He loves you.

He'd do anything for you guys.

All right, that's it.

Thank you for your time.

We good?

Yeah, we cool.

-[sighs]
-I guess it's my turn now, huh?

♪♪

Your turn for what?

You guys, you know
you're like my family.

f*ck, you are my family, and...

I love you.

[inhales sharply]

There's something
that you should, uh...

[breathes sharply]

You need to hear the truth
about me.

♪♪

A couple months back...

♪♪

I tried to k*ll myself.

-What?
-Why?

-I was in my house, you know.
-I was in the bedroom.

I had my service p*stol
and sat up on the bed.

I didn't use.

I didn't want to.
I didn't want to numb myself.

I didn't want to chicken out,
you know.

[gasps]

I wanted to end the pain.

[sighs] I stuck the g*n
in my mouth, and...

[g*n clicks]

The f*cking thing misfired.

And I wanted to die so badly.

f*ck!

Donna was six
f*cking years old, you guys.

And I covered that sh*t up.

I lied about it.

And the worst part
is that I find out

four years ago
on her mother's birthday...

[crying] Donna took
her own life because of me,

because of what I f*cking did.

I've wanted to die
every single day since then,

and I couldn't even
f*cking do that right.

I can't even f*cking k*ll myself.

I can't f*cking die.
I can't... I can't f*cking...

We got you, man.

-I'm sorry.
-We got you, T.

We got you, man.

We got you.

-It's okay.
-We got you, T.

[sniffles]

You're family.

Man, it's over.

It is all over.

Thanks, man.

[ominous music]

♪♪

[door opens]

♪♪

Following up

on Van Wyk
and Maseko's crime scene...

Hout Bay,
Swart En Goud fishing tours.

So their report cites
four bodies outside

and all John Does,

probably g*ng-related.

[sighs]

♪♪

Hang on.

A flare was set off inside.

But why?

♪♪

Is it a defense mechanism or...

or just plain stupidity?

The desk is askew,

and I see Forensics
has dusted for prints.

Hmm, we'll have to follow it up
with them.

[groans]

Floor safe is open...

and empty.

[recorder clicks]
Hmm.

Name on utility bill
is Teddy Washington.

Follow up with Mr. Washington
at his residence.

♪♪

Oh.

♪♪

Ah.
[chuckles]

♪♪

Oh, sh*t!

sh*t, sh*t, sh*t.

[suspenseful music]

[engine turning over,
tires squealing]

♪♪

Oh...
[speaks native language]

I'm coming!
I'm coming, I'm coming.

♪♪

[tires screeching]

♪♪

[car horn blaring]
[shouting]

[tires screeching]

Oh! Boy?

Are you here, boy?

My boy.
Boy, are you here?

'Cause... 'cause I'm here.

[chuckles]
I'm here, my boy.

Come to me, son.

[speaking native language]

Come.

No.

[somber music]

[crying]

♪♪

I'll try again tomorrow, Temi.

I love you, my son.

[indistinct chatter]

♪♪

[tires screech]

♪♪

Hey, Ange, it's me.

Um...

I was just calling to, uh...

[chuckles] There really ain't
no real reason

why I'm calling.

I just wanted to hear your voice,

even if it's on the message.

Things here are, uh,
coming to a head.

One way or another, I think
it'll be over with real soon.

That's all, I guess.

That's all I...
that's all I got.

Look, I don't even know
why I'm calling you

or even telling you this.

Just... can you tell Jenn
I love her and I miss her?

In the letter that you left me,

you said that you was
my ride-or-die for 30 years.

You ain't think that I thought
it was enough, but it was...

it was more than enough.

I was just too stupid
and selfish to hold onto it

the way
that I should have, and...

for those reasons, I'm sorry.

I'm s... I'm sorry
for all of it.

Look, you don't...
you don't have to call back

or nothing like that.

I just want you to know
I miss you and, uh...

I miss us.

If you ever want to talk
or anything, just, uh...

just give me a call.

[dramatic music]

All right...

bye.

♪♪

Hey.

[door closes]

-Hello, Benjamin.
-Good morning, Phyllis.

[laughs] Um...

you're looking taller today, yes.

-Yeah, I feel pretty good.
-Okay.

I feel very good, actually.

First time in a long time.

Me too.

So I got you a little something.

You know you really
didn't have to.

-I know. It's nothing.
-It's just...

I wanted to, you know,
just to thank you for...

thank you for healing me.

[chuckles softly]

[chuckles]

They're beautiful.

The woman who made those,
her mother is also a sangoma.

And those are made of lava rock,

and she told me
that lava rock means...

Oh, sh*t, hold on.

I wrote this down 'cause
I didn't want to forget it.

She says lava rock
can strengthen one's connection

to Mother Earth,

and it can give you courage
and the strength

that you need in times of change.

[chuckles]

So times of change,
indeed, right?

Anyway, I thought those would
look good on you or whatever,

and... and...
[sighs]

I just wanted to thank you, so...

You're welcome.

Come.
Come here.

[gentle music]

♪♪

I got to go.

-[chuckles]
-But, um...

I'll see you later.

-Bye.
-Yeah.

Okay.

[door opens]

♪♪

All right, back to business.

It's time we check out
this R Jay's Cove.

Let's see what Teddy wants us
to f*cking find there.

[suspenseful music]

We good?

[g*n c*ck]

Then, R Jay's Cove, here we come.

♪♪

There's gonna be g*ns,
bats, bottles, hammers,

men with fingernails,
and they'll scratch your sh*t.

I'd rather get punched, personally.

-True that.
-That's right.

Hey, wait up.

Y'all, I was just talking
to Imani,

and if this place y'all going
is as bad as she says it is,

I could keep the car running

in case anything pop off
at the Cove.

Now you're cool
with keeping the car running?

Because somebody is in it.

It's not a bad idea, Joe.

It's not a bad idea...

but I'm gonna need you
to stay here.

I need you...

to keep an eye
on Phyllis and Imani...

'Cause for whatever reason
we don't make it back...

Imani gets the f*ck
out of Cape Town.

I got you.

[dramatic music]

♪♪

I'm gonna take care
of your sister, Joe.

But y'all m*therf*ckers
make it back.

-We will.
-Come on.

♪♪

We'll be right back.

♪♪

[door closes]

[ominous music]

♪♪

You.

♪♪

You.

♪♪

[both speaking native language]

[sighs]

-Hi, Cathy.
-Uh, what's wrong?

-Are you not okay?
-Mm, no.

I feel like I've been hit
by one of y'all's taxi vans.

Do you have any, uh, Tylenol
or Aleve or meth?

Unfortunately, Cathy,
I do not have methamphetamine.

But I can brew you
a nice hot pot of tea

that'll make you feel
so much better.

Mm, while I appreciate your
holistic approach to my pain,

I'm really just

a good old-fashioned American
painkiller kind of gal.

Mm-hmm.

Do you have a pharmacy
or anything nearby?

-Yeah, we do.
-It's not that far.

-I can take you if you'd like.
-Oh, no, no, no.

You stay. I can go.
Where is it?

Okay.

Um, so you're just gonna go
to the end of the street.

-Mm-hmm.
-Take a right.

-Mm-hmm.
-Four kilometers on your left.

-Four kilometers.
-[laughs] Sorry.

-Like, uh...
-I don't know.

Two and a half miles.

-Okay, so not walking.
-No.

-Got it.
-Um...

-Yeah, uh, you can...
-you can use my car.

-You sure?
-Yeah, of course you can.

I mean, if you're happy to drive.

-Mm?
-Yep.

Okay.

[ominous music]

♪♪

[indistinct chatter on TV]

♪♪

Joe, what was your wedding song?

My wedding?

Damn, Lee, you don't remember
my wedding song?

I mean, it was,
like, 30 years ago.

"Ribbons in the Sky,"
Mr. Stevie Wonder.

Thank you, Touch.

Why you asking?

Well, after this is all over,

I was thinking of asking Cathy
to renew our vows.

-No sh*t.
-Yeah.

Just needed the perfect song.

Look at you,
getting all romantic.

-f*ck you, man.
-No, good for you.

Good for you.

Well, if you want
the perfect song,

then we got to narrow
it down, right?

True.

So who's the greatest
R&B singer of all time?

-Aretha.
-Whitney.

Okay, what's the difference
between the two?

-Coke habit.
-[groans]

Yeah, Aretha had
an incredible sweet tooth.

[laughing] Oh, come on.

You are going to hell for that.

Damn, dude.

Let's just say Aretha, all right?

-It's Aretha.
-Okay, that's what I said.

-All right.
-Uh, male, male singers.

Who's the greatest
R&B singer, male?

Group or solo?

-Does it matter?
-It has to matter.

Luther or Marvin
if we're talking solo,

Teddy Pendergrass
if we're going group.

No, Teddy Pendergrass
was never in a group.

Jesus.
How white are you, Touch?

Excuse me, Teddy Pendergrass
was the lead singer

of Harold Melvin
and the Blue Notes, a*s-face.

The f*ck he was.

Harold Melvin was the lead singer

of Harold Melvin
and the Blue Notes.

His name is
in the f*cking band title.

-Tell him, Joe.
-Yeah, tell me.

Teddy Pendergrass
was the lead singer

of Harold Melvin
and the Blue Notes.

Get the f*ck out of here.

Jesus, Lee, how white are you?

How the f*ck did I not know that?

Well, the world is filled
with things

-you do not know, Lee.
-[mockingly] World is filled...

-f*ck you, Touch.
-All right, right, right.

Uh, Michael Jackson or Prince?
Both: Prince.

-Ooh, I got one.
-Prince or Seal?

-Prince or Seal?
-[laughing]

Why would you... why would you
put Seal in that sh*t?

-Seal is... Seal is iconic!
-"Iconic"? Seal?

Who didn't want
a "Kiss from a Rose"?

-Yes!
-Get the f*ck out of here.

You might as well bring up
Terence Trent D'Arby

or Jamiroquai

or them n*gg*s who made
"Who Let the Dogs Out."

-Ooh, Baha Men.
-I dig their sh*t.

-The Baha n*gg*s.
-Put them in there.

f*ck out of here
with that Seal sh*t.

"Kiss from the Rose" was amazing.

Okay, I got one, I got one.

Earth, Wind & Fire
or Ohio Players?

-Oh, sh*t.
-Come on, now.

♪ Do you remember ♪

all: ♪ The 21st night
of September ♪

♪ And there's
something, something ♪

♪ Sounds like embers ♪

all:
♪ Da-na-na-na night away ♪

♪ Ah, ah, ah ♪

♪ Ba-dee-ya,
say that you remember ♪

[indistinct chatter]

Get out of here!

[shouts]

[soft dramatic music]

♪♪

[muffled arguing]

Well, it looks like
a lovely f*cking place.

When we get in there,

it's heads on a swivel
for real, yeah?

-Yeah.
-Yeah.

Look for anything associated
with us, Teddy, or Imani.

Teddy want us in this bar.

-Let's go find out why.
-Yes, sir.

[g*n c*ck]

Let's do it.

♪♪

[distant chatter, shouting]

♪♪

-Hey!
-Whoa!

[laughter]

[arguing continues]

[ominous music]

♪♪

Hello, is this the police?

It's about the Americans
you're looking for.

[R&B music]

♪ Why not let me go? ♪

♪ Ain't got time
to see them families ♪

♪ They ain't in trouble
most days, it seems ♪

♪ And only need a chance... ♪

Head on a swivel.

-Joe?
-Yeah.

♪♪

-How you doing?
-Bar is closed.

-Bar is closed?
-Bar is closed.

This bar look pretty
g*dd*mn busy to be closed.

Bar is closed.

So you telling me
the g*dd*mn bar is closed?

[scoffs] Clever one, you are.

-I'll hurt you the most.
-Whoa, whoa, whoa, whoa, whoa.

Is the bar still closed
if I have one of these?

♪♪

Come with me.

♪♪

♪ Why not let me go? ♪

♪♪

[mellow music]

♪♪

[billiard ba*ls clack]

Good hit.

♪♪

[indistinct chatter]

♪♪

[door closes]

You must be Joe.

I'm changing my name.

Everybody f*cking knows
my name down here. Why...

If you gentlemen would follow me,

we've got some business
to deal with.

We can get this all sorted out.

[sirens wailing]

[dramatic music]

sh*t.
What the f*ck did you do?

-We didn't do sh*t! Nothing!
-What?

-Gatas!
-[g*ns c*ck, clamoring]

-Whoa, whoa, whoa.
-Hey, hey! Probably not now.

We...

-Okay.
-We're good.

[sirens whooping]

-How do you know me?
-I knew your father.

He said that if everything
went to hell and he was dead,

-you would show up.
-Who are you?

[scoffs] About
your only f*cking chance.

So ticktock, m*therf*cker.

We did... we did not bring
those f*cking police here.

You got to f*cking believe me.
We did not.

♪♪

[indistinct chatter
over police radio]

You want a f*cking apology, Joe?

[chuckles] How about, I'm sorry
you three m*therf*ckers

are going to jail?

[Cymande's "How We Roll"]

♪♪

♪ I wonder why ♪

♪♪

♪ We play this game ♪

♪ That's how we roll ♪

♪ That's how we roll... ♪

[dramatic music]

♪♪