Last Eyewitness, The (2026)

[bunniefuu]

(dramatic music)

(pensive music)

(tense music) (thunder roaring)

(thrilling music) (logo rattles)

(suspenseful music) (artist vocalizing)

(suspenseful music continues)

(artist continues vocalizing)

(suspenseful music)

(artist continues vocalizing)

(door clatters)

(Riley panting)

(Riley thuds) (birds chirping)

(crickets chirping)

(audience laughing)

[Character] Kate,

you're not writing my letter.

[Kate] I'm sorry. I was

just noticing your nose.

[Character] What's the matter with it?

[Kate] Oh, nothing. Nothing, it's just...

(thrilling music) (ground crunching)

(audience laughing)

[Character] Your eyes.

Oh, Kate, I can get lost in your eyes.

(ground crackles and crunches)

(handle clatters) (door creaks)

What am I...

(audience laughing)

- Ugh.

- What else is on my schedule?

[Kate] You've got a meeting

at the board of directors

of your touring company at 11:30.

[Character] Ah. (Speaking indistinctly)

[Kate] Then you got an appointment

with your dentist at two o clock

and dinner with (indistinct).

Freddy?

(character speaking indistinctly)

(audience laughing)

No, it doesn't bother.

Would you like me to make the reservation?

(thrilling music)

(audience laughing)

No, no. Mm.

(birds chirping)

Shut up. Come on, move!

(Charlotte whines)

You can't scream. Nobody's

gonna hear you here.

(Charlotte whining)

(leaves crunching)

- Shut up!

- Shut up.

You scream, no one

is going to hear you here.

(Charlotte whining)

Come on!

(ground crackling)

(Charlotte whining)

Shut up, just shut up!

(leaves crunching) (suspenseful music)

(Charlotte whines)

Hey, stop fighting, man. All right?

- Hey. Hey?

- You wanna do this?

- Hey, hey, hey.

- You feel this?

You feel this?

You walk. Come on, walk. Move!

Walk!

- Walk.

- You better walk.

(suspenseful music)

(birds chirping)

(gate clatters and whines)

(suspenseful music)

(suspenseful music) (birds chirping)

[Warden] Marcus, the time has come.

Are you ready? Let's go.

(gate clangs and clatters)

(prisoners chattering)

(dramatic music)

(feet clacking) (birds chirping)

(dramatic music continues)

(feet continues clacking) (birds chirping)

(phone ringing)

- Mommy?

- Morning, sweetie.

[Child] It's so early.

I know, but I wanted to

hear your voice before school.

[Child] You didn't say goodbye.

I'm sorry, baby. But I

had to clear my head.

[Child] Did you pack my lunch?

Peanut butter, apple slices.

The good yogurt,

the one we buy when

we're rich for five minutes.

[Child] Are we rich today?

Not yet, but someday.

[Child] Did dad send the money?

No, but we'll be okay.

I miss you.

I'll see you after school.

Now you be good for your Nana, okay?

[Child] She's still asleep.

Your Aunt Jess will be

there to pick you up for school.

Now don't keep her waiting.

[Child] Okay, mommy.

Love you.

- Love you.

- Bye, sweetie.

(phone clatters) (suspenseful music)

(prisoners chattering) (feet clacking)

(thrilling music)

(birds chirping) (feet clacking)

(plastic crackling)

Hi, mom. Are you awake?

[Parent] Riley, baby. Morning.

Did Lily get off school all right?

[Parent] She sure did. Is

the run doing you some good?

Trying to clear my head.

Not sure how we gonna pay rent this month.

[Parent] That dead beat

hasn't paid again, huh?

Of course not.

I never wanted us to move to Africa.

There are plenty of good men in America.

Oh, Mama, please.

I'm trying to make a plan.

I'm trying to get us out of

this hole and back home.

[Parent] Well, you've

been saying that for a while.

I won't hold my breath in.

God knows, mama. God knows.

Let me get back to what I'm doing now.

I need to keep my

momentum going. Talk later.

(birds chirping) (pensive music)

(prisoners chattering) (feet clacking)

(suspenseful music) (feet clacking)

I said come on, move!

- Come on!

- Stop fighting, man!

(Charlotte whines and thuds)

Sit down. (Indistinct)

- Come on!

- Come on!

Come on.

(Charlotte whining and scratching)

Now stay there!

You better thank Freddy

for this, Charlotte, hm?

What was your husband thinking stealing

from Marcus, man? (Snickering)

Now stay there.

(door clattering)

You hear anything? He out yet?

Yeah. They're busy processing him.

What?

Yeah, mm-hmm. I left his truck ready.

He should be here in a few hours.

How he got out so quickly anyway, bro?

I thought he stayed a-he

had a year or maybe two.

Hey, man, money talks, man.

That's it?

That's it, if it's with the

right people, right hands,

anything is possible, man.

Man's got locked up one minute,

and next is running sh*t again?

Man is connected,

man. He's got connections.

That's Marcus for you, man.

You can be inside, but

outside at the same time.

So what? Now he owns cops too?

(scoffs) That's what he takes, man.

I feel likes we're stuck

in his pocket forever.

Yeah, as long as he's still alive,

I'm afraid so, my n*gga.

Bro, Ace, I thought

last time that was it, bro.

I cannot keep on doing this, my n*gga.

I gotta quit, n*gga. I gotta quit, Ace.

Man. I also wanna quit, man.

But the n*gga's got sh*t on us, man.

I know. I know, I know, Ace.

I can't-I cannot keep

on doing this, my n*gga.

No, bro, I know that he got sh*t on us,

but I cannot keep on doing this, Ace.

So you wanna be free?

- Yes, bro.

- You wanna be free?

Now that's a luxury n*gg*s

like us can't afford, man.

Ever since Marcus came from USA,

he thinks he's a-he's

a-he's a movie crime lord.

Who the hell he think he is, n*gga?

I mean, n*gg*s knows

people, man. He's connected.

Yeah, for now.

But his time is coming.

Word?

(mumbles) Ah sh*t.

Is that him?

Babe, I know. Babe, babe, babe, I know.

I know, babe. I know.

I swear this is the last time.

I'm coming home tomorrow.

Yeah, babe. Please.

Just tell her daddy loves her so much, hey?

I gotta go now.

(Ace chuckles)

Some girl problems. Mm.

She doesn't get it.

She said that Marcus ain't right.

There's something off about that n*gga.

She don't want me near him, n*gga.

That's a smart woman.

But I mean it this

time, Ace. I'm done, Ace.

Hey, man, we're only done

when Marcus says we done, all right?

So you better get used to the new norm.

(phone ringing)

Your phone keeps ringing.

- It's Marcus.

- sh*t.

Hey, yo, boss? (Clears throat)

[Marcus] Ace?

Hey, you out?

Hey, congrats, man.

Well, I hope the car and

the phone that I left you

are still in older, hey?

[Marcus] Stop trying

to suck up to me, Ace.

You messed up royally with Freddy.

Yeah, no, we-we're

busy fixing that, boss.

[Marcus] You better be. You got his wife?

Yeah, yeah, yeah. We got her.

[Marcus] Call that little weasel

and tell him to come to

the HQ with the money.

Yeah, copy boss.

[Marcus] Pete there?

Yeah, he's here.

[Marcus] I want you to call me back

and confirm you got him,

and that he's coming with my money.

All right. Copy, boss.

What did he say, n*gga?

We're back on business, man.

- Better get rolling.

- Let's roll.

(birds chirping)

(phone ringing)

Hello?

[Ace] Hey, Freddy?

Ace, hey. Where was she?

Is my wife okay?

[Ace] Thought I should

let you know that Marcus

is out, man.

But that-that's-that's not possible, man.

He still had time, right?

- That's what I thought too.

He got an early release. Good behavior.

And he's been asking about you, man.

I swear to God, I ain't mean for none

of this to happen, aight?

I just-I just needed time.

- Well, you stole from him.

I borrowed it, all right?

I was gonna give it back.

[Ace] Yeah, Freddy. You

skimmed his drug money.

Almost a million dollars, Freddy.

Listen, man, I-I-I'll pay it back, aight?

I got-I still got all the cash.

[Ace] Well, Marcus

doesn't care why, Freddy.

He just wants what's his.

Just I'll give it back, all right?

Just-just don't hurt her.

[Ace] Well, I think it

would be best if you come

to the hideout in the forest,

Freddy, and bring the cash.

When?

[Ace] This morning would be nice, Freddy.

All right, all right. I'll do that.

I'll bring the cash. All of it.

Just don't hurt her.

[Ace] Hey, man. That's

between you and Marcus.

Ace just please tell

me she's still alive.

[Ace] Your pretty the

old wife is still alive for now.

See you soon, Freddy.

(brooding music)

[Pete] Hello, boss. It's Pete.

Yeah, Ace-Ace called Freddy.

He's on his way with the cash.

[Marcus] I hope for

your sake, he's for real.

I'll be there in an hour.

[Pete] All right, boss. Cool.

(door clatters)

(pensive music)

Ooh hoo hoo hoo hoo

(engine whines and roars)

I wake before the morning light

Tie my laces in the quiet

Another day I don't feel ready for

But I walk out that door

You see the smile, the steady hands

You don't see the breaking plans

The weight I carry through the day

So yours can drift away

There are storms I stand inside

That I'll never let you find

'Cause I'm trying

to stay strong for you

Even when I'm barely home and through

There are battles that you'll never see

Fighting shadows just to keep you free

If my heart has to bruise in two

I would take the hurt, it's true

Every breath, every move I do

I'm just trying to stay strong for you

(phone ringing)

[Admin] Hello, Ms. Misena?

Ms. Misena?

It's Anderson, I'm changing my last name

to my maiden name.

[Admin] Noted, Ms. Anderson.

I'm sure you know why I'm calling.

(sighs) Uh, I-I know

I'm three months behind

with Lily's fees.

I'm trying to work on it.

My ex who was supposed

to give me child support

[Admin] As much as I

sympathize with your situation,

Ms. Anderson, I have to

remind you that schools

don't run on promises.

They run on money.

And if you don't catch

up on payment by the end

of this month, we are going to have

to remove Lily from class

until such a time as

your account is up to date.

Hello, Ms. Anderson?

Yes, yes, of course. I-I understand.

Um, I'm gonna try and pay all the fees.

[Admin] I hope so. This is

your last chance, goodbye.

(phone clatters) (suspenseful music)

(feet clacking)

(vehicle whirring)

(birds chirping)

(ground crackling)

(phone ringing)

[Kula] Hello.

It's me.

[Kula] I can see. Let me guess.

It's money again?

All I ask is that you

pay the bare minimum

for your daughter's needs.

We don't even know how

we're gonna make rent this month

- or pay fees.

- Listen,

I give what I can when I can.

I'm not answering your calls again.

This is not acceptable,

Kula. You can't just

[Kula] Look, sue me, okay?

- Sue me.

- Is it her again?

[Kula] J-j-just give me a moment.

Look, I have to go.

Hopefully I'll have better luck next month.

Now leave me alone.

(phone beeping) (ominous music)

as*h*le.

(suspenseful music)

(vehicle whirring)

(suspenseful music)

(feet clacking)

(suspenseful music continues)

(feet clacking)

(brooding music) (ground crackling)

(engine roaring) (tires screeching)

(ground crackling)

(vehicle whirring)

Hey!

(birds chirping)

(feet clacking)

(suspenseful music)

(suspenseful music

continues) (ground crackling)

(door clicks)

(Charlotte whining)

(door clatters)

(door thuds) (Charlotte whimpering)

(bag thuds)

I'm disappointed in you, Freddy.

I got the money right

there. It's all right there, man.

Nothing's missing, aight?

Just don't do nothing to her.

(Charlotte whimpering)

I'm impressed, Freddie.

Truly, I already made peace

that I'm never seeing your a*s again.

Thought maybe you grew

some wings and flew right away.

Far away, but you're here.

That should count for something, right?

You know what? You're responsible

guy, aren't you, right?

Marcus, just listen to me, aight?

I ain't run, aight? I ain't

fighting nothing, aight?

I got the money right there.

I brought it back, man.

I'm trying to make this right.

I made it right, aight?

You keep saying that, right.

But your version of right

seems to be different to mine.

Just-just hear me out, all right, man?

I wasn't trying to piss

you off or nothing, aight?

I swear to God, man, I f*cked up.

I get that, but I got the money. All right?

My sister, she... Listen,

I'm here now, all right?

And I got the cash and all I'm saying is,

all I'm asking is please just,

don't make this worse, aight?

Please, man. Come on.

- Worse, Freddy?

- Yeah.

(Marcus chuckles)

Freddy, this ain't about

the money no more, man.

f*ck you mean?

What-what dat that mean,

man? I-I been loyal, bro.

Come on, listen to me.

Listen to me, Marcus.

Marcus, I've been real with

you from the jump, aight?

Swear to God, man.

It's about honor, Freddy.

It's about my reputation, Freddy.

[Freddy] Oh, f*ck no.

And your story

is gonna be heard all over the community.

- No, no, no, no, no, no.

- Yeah, Freddy.

Marcus, Marcus, just hear me out, right?

- Yeah.

- Hold on, hold on,

hold on, hold on, it ain't gonna like that.

It ain't gotta be like that, man.

Come on.

Just here me out.

Here me out. I got the cash.

I ain't run and I ain't

fighting, right? I'm right here.

Let's-let's just talk through it, aight?

- Okay.

- Bro, bro, bro.

- Take it easy, man.

- Aight.

(Charlotte whimpering) (thrilling music)

It's a hot day. I wanna go home.

(g*n fires)

- f*ck! f*ck!

- Bro. Come on, man.

- Come on!

- No!

- Marcus.

- Come on.

- Why?

Why?

See, when people hear about you

and her making that decision,

my reputation, (chuckles)

I need to protect it.

See what happened here

is gonna be heard all over town,

and then my reputation stays intact.

Perception, reputation, respect.

Marcus, I get that. I get that.

It's how the world of works, Freddy.

I get that, man.

I- I-I f*cked up. I f*cked up.

I accept this whole situation, aight?

But it ain't gotta be like this, man.

Come on, come on, come on, Marcus.

Please, say whatever.

Call the shot. I'll do it.

I'll do whatever you need me to do, man.

I got you.

(dramatic music)

Loyalty ain't proven

when things are all good, right?

It's proven before the mess, not after it.

No, no, no, no, no. But

I've been real with you, man.

You know me, n*gga!

I'm from the jump, Marcus.

I done known you

before you knew all

these n*gg*s here, right?

I can fix this, aight?

It ain't gotta be like this.

Maybe you could, but you're not.

(Freddy sobbing) (suspenseful music)

- Come on.

- Don't do this, man.

Take it easy, bro. Take it easy.

Marcus, come on.

Don't have to do this, bro.

- Come on.

- God damn.

Hold up, I think that some apologies

in order here, right?

Apologize.

What?

Come on.

Apologize to your wife

for getting her k*lled.

Oh, you gotta be sick m*therf*cker.

Apologize now!

Baby, baby, baby, I'm sorry.

I'm so sorry, baby. Okay, okay?

I'm so sorry.

How sweet, I felt that.

Got it off your chest, right?

- Yeah. Yeah.

- Feel good?

Yeah, well, you just said

your last words on earth?

Marcus, come on, come on, man, just...

- Freddy.

- Come on, Marcus.

- Pathetic.

- Marcus? Marcus?

Listen to me.

Listen, I-I can make this right, aight?

Uh-uh, I'm making it right.

(g*n firing)

- Marcus!

- Marcus?

Yo, man. Come on, man!

What the hell, man?

What's wrong with you?

Take the two bodies,

hide 'em under the tarp and

hide the cash there with them

Nah, Marcus, man.

This is-this is m*rder, man. m*rder, man!

Straight up m*rder. Heavy charge.

If we get caught up with this.

We're finished. Game over.

Do you understand, Marcus?

Come on, we didn't sign up for this, man.

What you sign up for?

Debt collection. Scaring people.

Roughing them up if it comes to that,

but not execution, man.

- Yeah, that's right, bro.

You pulled the trigger.

That's on you, bro.

But we are standing right here,

if this comes back on us.

Oh, (laughs) Y'all

covering your skis, right?

Damn right we are.

I mean, I got enough problems, man.

I'm not going down for your own sh*t.

Not going down, my own sh*t.

(plastic crackling)

I'm kinda hungry.

(thrilling music)

Eat.

Marcus, what are you doing?

I wanna teach y'all how

quickly you can lose everything.

I'm gonna start with you, Ace.

Remember that case with stolen goods, huh?

Your fingerprints are still on the record.

If I make one phone call,

you'll never see the daylight again.

And you, Pete.

Pete, that case.

Huh, your cousin's house in Joburg, right?

Stash in the ceiling.

Yeah, I know all the details.

You know why I know all the details, Pete?

How do I know?

You know who put it there? Me.

Yeah, now f*cking eat, eat!

Eat!

f*cking, (indistinct) eat!

Yeah, that's right.

That's right.

Now come on, eat!

(Pete spits)

You love them snacks, don't you, huh?

Now that we got our

priorities straight, right?

Take the two bodies

to the outbuilding, now!

(brooding music)

Hurry up!

(plastic crackling)

Ace, this is insane, bro.

We dragging bodies into

the bush like animals, bro.

- Keep your voice down, man.

- Come on, bro. I'm done.

I swear, I'm done.

We keep following Marcus,

we're gonna end up in a

ditch same as them, n*gga.

And you think running's

gonna save your a*s?

I'll disappear. I'll go to

my cousin in Johannesburg.

As long as I get away from Marcus,

I got a chance, n*gga.

- I got a chance.

- Nah, nah, n*gga.

- I got a chance.

- You'd be dead

before the sun rise, n*gga.

How? How would he even find me?

He's keeping tabs on us.

What do you mean?

I mean, that n*gga's

keeping tabs on us, man.

On everyone, our families, our people.

Just because he lived in America,

he thinks he's better than us.

- That n*gga is crazy, man.

- So we keep

on doing this, huh?

Dragging bodies, smoking

whoever he points at?

Ah, come on, bro.

- Not forever.

- What do you mean?

I mean, when the time is

right, we gonna smoke him.

- Smoke Marcus?

- Yeah.

That's the only way out, man.

As long as he's still

alive, he owns us, man.

I mean, the n*gga bleeds

just like any other. Huh?

So if we do this,

if we k*ll him, what then?

Then we're free.

We're free, man.

Are we good?

Yes, sir.

- We good?

- I'm with you, brother.

- That's what's up, man.

- I want him dead.

Let's waste some blood, man.

Now let's get these bodies in the cabin.

(brooding music)

Hey, Pete. Come on, man.

(tense music)

(stick cracks)

- What?

- Hey?

She's filming us, man.

(brooding music)

She's running. Go, go, go!

- Pete, go that way!

- Hey!

(brooding music) (grass crunching)

(g*n fires) (Riley screams)

Just go, shes' running!

(g*n fires) (Riley screams)

(g*n firing) (thrilling music)

You see her?

(keypad typing) (eerie music)

(grass rustling)

(Riley panting)

(grass rustling)

(eerie music continues) (Riley panting)

(suspenseful music)

[Ace] Damn, we lost her, man.

(brooding music)

(grass rustling)

(leaves crunching)

Oh, f*ck, man.

Come on. Find her!

You find her (indistinct)!

Hey, go that way. Hey, go, find her!

There's no network out here, man.

So we got a chance?

Keep looking, boys. She's somewhere here.

She's not far.

(brooding music)

Hey, she got everything.

Pete, Pete, Pete, she got everything!

She's got that footage, man.

Nobody can get that footage!

(thrilling music)

Go, go, go!

Go, go, go, go, go!

(leaves rustling and crunching)

Go, go, go!

Go! Come on, Ace!

(thrilling music)

Come on. (Shouting indistinctly)

(leaves crunching)

Go, go, go, go, keep running!

Where did she go, man?

(weapon thuds) (Ace grunting)

Pete, f*ck, ah, the b*tch

hit me with a branch!

How can you let a girl beat you, bro?

Ah, f*ck, k*ll you b*tch, damn.

(Riley panting) (thrilling music)

(leaves crunching) (ominous music)

(thrilling music)

She wouldn't have got that far away man.

(speakers drowning out one another)

- Where is she? Come on!

- Get her a*s, man!

[Ace] Show yourself,

we just talking here!

[Pete] Girl can run, hey?

(leaves crunching)

(thrilling music continues)

[Pete] Where did she go?

I don't know, man.

Holy sh*t, bro.

(ominous music)

(eerie music) (leaves crunching)

(ominous music)

(brooding music)

(ground crunching) (feet clacking)

Hey, hey!

Hey!

(Riley screams)

- Come here.

- Come here, come on!

Come here.

Let's go. Let's go, let's go, Ace.

(Riley screams)

Come on!

(vehicle whirring)

You made this a lot

harder than it had to be.

Gimme your phone now.

Please, please, lemme go.

I swear I won't say a word.

And why did you stop running, huh?

I could not ignore what I was seeing.

Relax. Know when to quit.

Come on, you gonna pay.

I'm not giving you my phone.

The more you fight,

the worst it gets, come on!

Gimme the phone.

When we get where we're going,

you'll listen to me.

It's not gonna hurt. I got you.

(thrilling music)

(handle clatters) (group clamoring)

(tires screeching)

Man... Dumb a*s, yeah! Come on.

(tense music)

(leaves crunching)

Get her a*s!

(thrilling music) (feet clacking)

She wouldn't have

gone that far away, man.

(music drowns out speakers)

[Marcus] Where is she? Come on!

(thrilling music)

(suspenseful music)

(leaves crunching)

(ground crackling)

(suspenseful music continues)

(child laughing) (singer vocalizing)

Where is she, bro?

Where are you?

Hey, (speaking indistinctly).

(thrilling music) (Riley panting)

(artist vocalizing)

(screen thuds)

(ax thuds) (wood clatters)

(wood clatters)

(ax thuds) (wood clatters)

Whoa, whoa. Are you okay, what happened?

Please, can you help me?

Calm down. What's happened?

These men are after

me. They're trying to k*ll me.

Which man?

Drug-(stammers) drug dealers, I think.

I've heard, a lot more criminal activity

around here these days.

Can you please get me out of here?

Yes, yes. Come on, my car is this way.

(tense music)

(door clatters)

(door thuds) (tense music)

(metal clatters) (door clatters)

(engine whines and roars)

Listen, you're gonna be fine.

Just, just breathe. Relax.

Andre.

Riley.

You're not from around here, are you?

I came a few years

ago to marry my first love.

Or so I thought.

Didn't work out, did it?

Yeah, I know.

(vehicle whirring and clattering)

No, no, no, no, no, no, it's them.

We've got to turn (indistinct)

or they'll k*ll us both.

You (screams indistinctly)

Hey, hey, hey, hey.

Stop the car, get out.

(Riley panting)

Get out, now!

Just relax.

Please, he's got nothing to do with this!

He's got everything to do with it!

(ground crackling)

- On the ground, man.

- f*cking ground.

Get out.

Riley, Riley, go. Run!

- f*ck.

- f*ck, f*ck!

(g*n firing)

(g*n fires)

f*ck!

(dramatic music)

(g*n fires)

Get her, find her!

[Pete] We can do this the

hard way or the easy way, hey?

[Ace] We not playing games!

(dramatic music) (ground crackling)

(snake hissing) (eerie music)

(Riley screaming)

Get-get off me!

(snake hissing) (tense music)

(Riley screaming)

- Come here, b*tch.

- Get out.

- Come here.

- Get out.

Come out.

(thrilling music)

Move, man!

(suspenseful music)

(vehicle whirring and clattering)

Told you I was gonna get you.

I didn't think you'd try

to stand like that, hey?

Hey, I don't know if I'm supposed

to be pissed off or impressed.

Either way, you ain't running no more.

Yo, Marc?

Yeah?

I don't think we

should k*ll her right away.

She still owes me.

Hey, fair enough.

Just keep something from me for later.

(group laughing)

- I want some of that!

- Yes, sir.

Your been running, right?

- Yes, sir.

- b*tch can run!

[Pete] Yeah.

- Yeah.

- Pay back time.

(Pete laughing) (suspenseful music)

(door clattering)

- Come on.

- Get in!

- b*tch, come on. Come on.

- Come on, man.

Get in here.

Come. Get in here!

- Just stop doing that, man.

- Stop doing that!

- Come on.

- Get her hands off.

Come on, man. Just let this go, come on!

- You know (indistinct) man.

- Come on!

Get in, come.

Sit up. Get in there.

Sit right there. Sit down.

Sit right there!

Yeah, man, you wanna

go switch off the engine?

Yeah. Coming back now.

Ah, look what we have here, huh, hmm?

What are you saying now, huh?

Open your mouth.

Open your mouth.

Open your god damn mouth, hm?

Open your mouth, open!

- Watch your mouth, hmm.

- What the...

Come on, bro.

What the f*ck you doing, bro?

Boss said we gotta walk, man.

- Come on, let's go.

- Yeah. Yeah.

- This ain't done.

- Get to work!

Yes, sir.

(thrilling music)

(chair clatters)

Hello.

What do you want?

Nothing, just a conversation.

You know, people behave kinda different

when they know their time is limited.

You don't scare me.

Oh.

You see her?

She was brave, like you.

Now look at her, she's dead!

(Marcus laughing)

Do you think people gonna

come look for you? Huh?

Someone will come looking for me here.

They gonna be looking in the wrong places

while you sit here counting away the hours.

You don't gotta do this.

Oh.

(Marcus snickering)

But I have to actually.

If I don't do it, those chumps out there,

they gonna think they're getting a pass.

Tell me, when you close your eyes

tonight, what you gonna dream about?

You're hoping to break me?

It's not gonna happen.

I already did.

What do you really wanna do with me?

I want you to know that

tomorrow ain't no surprise.

(sighs) You gonna die tomorrow.

I want you to sit here,

think about it from now till then.

Get some rest, Riley.

Tomorrow's gonna be glorious.

(Marcus laughing)

You one hell of a piece?

Ah. (Grunts)

(Riley panting)

(Riley whimpering)

It's okay. It's okay.

It's okay, it's okay, it's okay.

It's okay. (Whimpering)

(trunk clatters)

(bag thuds) (zipper zipping)

Ooh.

It's good, hey?

Let's check it out.

(birds chirping)

We're done here.

(zipper zipping) (bag crackling)

Not sloppy this time,

boys. Everything neat.

Everything sealed.

- Yes, sir.

- Gotcha, man.

(trunk clattering)

(bags thudding)

(trunk thuds) (latches clattering)

(suspenseful music)

(child laughing)

(suspenseful music continues)

I know, I-I know.

It didn't-it didn't help.

(suspenseful music continues)

(child laughing)

[Riley] Who are you texting, Kula?

This is becoming a bit too much.

- Can I just have my peace?

- What about me?

Well, you do not give a damn about me.

What about our daughter?

What about our daughter?

You busy here texting on your

phone. What about me, Kula?

Tell me, who are you texting?

It's in here.

It's all in your head.

(speaking indistinctly)

[Riley] I'm always

trying to be open to you,

but you don't give me

the same energy, Kula.

Kula, you know how I feel about this.

Why are you disrespecting me?

Kula, please, you know

better (indistinct) this.

Who are you texting, Kula?

This is utter disrespect.

Please, please hear me out.

Hear me out, Kula. Who

you texting in my own house?

Kula, please.

[Child] Mommy, Daddy,

please stop fighting.

Can we just maintain some boundaries?

This-this is-this is becoming too much.

[Riley] I try, I try, and I

try to do everything right

in our marriage, but you

don't seem interested.

What's going on?

Just some respect. I'm coming from work.

I'm not sitting here and-and.

You never really tell me

about what's going on, Kula.

(indistinct) right now.

You're always trying (indistinct).

Mommy, why is daddy leaving?

(artist vocalizing) (suspenseful music)

Are you gonna leave me too?

Mommy, I need you.

(Riley panting)

I need to get to my daughter.

I need to. I need to get to my daughter.

I need to get to my daughter. I need to.

I need to.

(Riley panting)

No, no, no, no, no.

(Riley panting)

I need to get outta here.

I wanna get outta here.

(Riley panting)

Please, (stammers) where am I?

(eerie music)

(Riley sobbing)

(g*n firing)

No, no, no, no.

(suspenseful music)

Car keys, car keys.

I need to... (whines)

I need to-I need to

I need to get outta here.

I need to get outta here.

I need to get outta here.

I need to get out of here. (Panting)

Okay, I need to, I need to just get

get outta here, is this it?

Is this it? No, yes, yes.

I need to...

(door clattering) (suspenseful music)

(door crashes)

(door clatters)

(suspenseful music) (door clatters)

Where did you go?

(door thuds)

Hey, hey, yo! Hey, Marcus!

She's out, man. Hey, Marcus!

Hey, Pete! Hey, Pete,

yo, she's out, man, out!

(feet clacking) (Riley panting)

Yo, Marcus, Pete?

Yo, Marcus, listen,

listen, listen, listen, man.

Listen, I can explain, man.

You idiot! How you gonna let...

How you gonna let her dupe you, man?

She's half dead. Low on fumes.

And you let her lock you

in here, man? (Stammers)

It wasn't like that, man.

Just shut up!

(thrilling music) (Marcus panting)

You know what that means, right, huh?

She's runnin'. She's

hiding, she's plotting.

She's out there, huh?

And now we gotta start all over again.

All because you couldn't hold a handle!

Marcus, I can find her, man.

I can find her, man.

I got this, man.

I got this, man.

- Oh, you better. You better!

I'm starting to think and ask myself,

is it necessary to still

have you around me, huh?

Now go find her, now!

(Marcus groans) (thrilling music continues)

Ace, Ace, you see?

This is exactly the reason

why we need to do this, bro?

Smoke that n*gga and this.

You saw how we treat

us, bro, like dogs, n*gga.

Not now, Pete.

Now, right now!

This is the right time, bro.

You said if the time is

right, we take him out.

That was before this

b*tch made us look like fools.

What are you saying, bro?

I'm saying Marcus is right, man.

I messed up. I messed up, man.

I messed up.

He's the only reason why we're still alive.

Come on, come on, bro. Come on.

You can't be serious, man.

I'm serious, man.

And that plan? f*ck that sh*t, man.

- I was stupid.

- Stupid?

- Yeah.

- Bro, you said

if we k*lled him, we're free, n*gga.

Never gonna happen, man.

From now on, what Marcus says goes.

- That's it.

- That's it?

- Yeah.

- We just gonna let n*gga talk

to you like trash?

Treat us like trash.

(dramatic music)

I should have known. You're

f*cking scared of that, n*gga.

Shut the up, man.

I'm been realistic yeah.

Yeah, you are. And I'm alone.

And just remember, when

that n*gga turns on us for good,

and he will do that, you chose him.

(Pete clicks tongue) (thrilling music)

f*ck, sh*t.

(thrilling music) (crickets chirping)

(feet clacking)

(ground crackling)

All right, no more games.

I'm gonna sh**t your a*s.

I'll k*ll you!

[Ace] You don't have anywhere to go!

(suspenseful music) (ground crackling)

Come on. Show yourself, hey!

Come on, now!

We can do this the

hard way or the easy way.

Anything that side?

[Pete] I don't see her, bro!

[Ace] This side is also clear, man.

(stick cracks) (dramatic music)

(bird fluttering) (Riley

screams and scuffles)

(thrilling music) (Riley groaning)

I'm sorry for (indistinct).

(Riley panting)

I just need to be (indistinct).

I didn't mean for it to

end like this. (Panting)

The car. The car, the car, the car.

Okay, I need to get out of here.

I need to find the car keys. I need...

(dramatic music) (Riley mumbling)

(items clattering)

I know the keys are here somewhere.

I know the keys are here somewhere, Andre?

(items clattering)

(dramatic music continues)

The ax, the ax, the

ax, the ax. I need to...

(whimpers) I need to get to that ax.

(ax clatters) (dramatic music)

[Pete] Where is she? Where is she, bro?

[Ace] She wouldn't have

got that far away, man.

Hey. Where did you go?

We've got some unfinished business.

Don't run away from your destiny.

(eerie music)

(Riley grunts) (ax thuds)

(Ace grunting) (Riley panting)

(eerie music)

Stop! What have you done with Ace?

[Riley] Pete, please.

Shut up and don't say my name.

Pete, I have a daughter.

You saw too much. You know what we did.

And I can't let you walk

away. Do you understand that?

You don't have to tell him that I'm here.

I'm supposed to do it.

Marcus wants me to do it.

If I don't k*ll you, he will k*ll me.

You don't have to do

anything he says, Pete.

Yes, I do.

You don't want this, Pete.

I saw you earlier. I saw

what he made you do.

- You're a good man.

- Just-just set up!

You saw too much.

You don't wanna do this.

You know nothing! I

helped k*ll those people.

I'm already dead. I just

haven't hit the ground yet.

Okay, okay. Okay, now-now let me go.

Lemme go back to my family

so you can go back to yours.

Put the g*n down. Turn

around and don't shout.

Don't call him.

Let me walk away and go

back to my daughter, Pete.

You're a father. Please, Pete.

You're a good man.

You're a good man.

Pete, you don't want this.

You don't wanna do this.

If I don't do this,

that n*gga will make me suffer

and he would go after my

family, do you understand?

That n*gga is a k*ller, bro.

You're a father, you know how this feels.

I need to go back to my family so

that you can go back to your family, okay?

That's the only way we can protect you.

Just-just-just go, just go!

- Go. Just go!

- Okay.

Wait! Marcus, she's right here!

She's right here!

(Riley screams and

scuffles) (Riley panting)

(eerie music)

(ground crackling)

(door clatters)

[Marcus] Come on.

[Pete] Where are you?

[Marcus] Just come out.

We're not going to hurt you.

(ground crackling) (eerie music continues)

Man, she's hiding, boss.

- Know you're out here.

- She's somewhere here.

[Marcus] Come on,

you cannot get that far.

You know, it's kinda crazy

what you can know about a person

just through their phone.

What we got, man?

[Pete] Look what we got here.

A driver's license for Riley Anderson.

[Marcus] And I heard

you got a beautiful daughter.

What's she 9, 10?

It's not about you.

Now we know where she sleeps.

[Pet] I bet the little kid

screams like, "Mama!"

[Marcus] Come on.

You running out of options.

I'ma count to 10.

Matter of fact, I'ma count

to three to make it faster.

One, two, come on, three.

Well, I guess we're paying a li'I visit.

- Let's do that soon.

- Let's go.

Stop, stop, please, please. I'm here.

There she is. (Marcus laughing)

Please don't hurt her.

I bet she'll let her kid fry.

There she is. Come on down.

It's over. Hurry up.

I ain't counting no more.

You got an option.

Either you come down or I sh**t you down.

I'm gonna sh**t you

right there. Come down.

- I'ma sh**t you.

- Think about it.

There we go.

There we go.

Step by step.

- Hurry up.

- Wasting our time.

- Yeah, you got this.

- Pull you down.

Pull her down!

- Just get up. Get up!

- Get up!

Move, move, faster.

Don't make me sh**t you.

Wasting goddam time

to searching for your a*s.

I told you you should've been running.

You watching football (indistinct).

(indistinct) Finding your a*s.

(Marcus speaking indistinctly)

'Cause I know, right?

(dramatic music)

(birds chirping)

Come on. Move!

Come on. Move.

On your knees. On your f*cking knees!

This is for Ace.

(Marcus chuckling)

Please, I swear I won't tell anyone.

I won't tell the cops. I'll-I'll disappear.

You already saw too much.

And, honestly, we're

going to k*ll the kid anyway.

- Yeah.

- For fun. (Laughs)

Say your last words.

(artist vocalizing) (Riley panting)

God, forgive me.

(horn honking) (dramatic music)

What the f*ck?

(sand hisses) (Marcus whines)

(dramatic music continues)

Riley!

(g*n clicking)

- Get her!

- Ah!

Get her!

(dramatic music)

Get her!

(g*n firing)

(Marcus grunts)

(bushes rustling)

(dramatic music continues)

Ah, ah, sh*t!

- What the f*ck?

- Ah!

- The f*ck?

- You shot me, n*gga!

I didn't sh**t you!

- Ah!

- Nah, man.

- You shot me, n*gga! Ah.

- Oh, sh*t, oh, damn!

She's getting away. She's getting away!

Ah, ah, sh*t!

(engine whines and roars)

(dramatic music)

Okay, it's time.

(dramatic music) (ground crackling)

(vehicle whirring)

What's that?

(Riley whimpers) (dramatic music continues)

(g*n clicking)

f*ck, sh*t!

Oh, lemme go! Lemme go!

Lemme f*cking. (Marcus and Pete scuffling)

(speaking indistinctly) Look out!

(vehicle whirring) (dramatic music)

(vehicle crashes) (Riley sobbing)

(eerie music)

(door clatters) (eerie music continues)

(Pete gasps) (suspenseful music)

(grass rustling)

(pensive music)

Ah ha

Ah ha

Yeah, we've been loyal, the bills

Dreams in our pockets, hope run out

Same old street, same old doubt

But I still see gold

when the lights go out

Pressure on my back,

yeah, life don't pause

Every wind cost, every lost talk

We argue then we make it right

Still 10 toes down every single night

If the road gets dark,

if your faith feel weak

Just know I'm here, I ain't gotta speak

I'll be here when it's hard to breathe

When the whole

world act like it don't see

If the morning low

and the nights feel long

I'll be there, yeah, I'll stay strong

When you break down,

when you feel alone

When you feel like you've

been doing this on your own

No matter how rough the weather go

I'll be there.

You already know

[Child] Mommy, is that you?

(Riley inhales and exhales)

We done cried in silence

Smiled and prayed, same mistake

Still fighting rain

Life is hard, but it didn't win

We still standing where we've been

I don't promise perfect, promise real

Promise I'm wrong

and it don't feel ideal

When your heart heavy,

when your mind off track

I'm right here, never stepping back

When the doubt talk

louder than your dreams

I remind you who you really be

I'll be there when it's hard to breathe

When the whole world

act like you don't see

If the money low

and the night feel long

I'll be there, yeah, I'll stay strong

When you break down,

when you feel alone

When you feel like you've

been doing this on your own

No matter how rough the weather go

I'll be there, yeah, you already know

Ah ha

Ah ha

Ah ha

I'll be there, you already know

We ain't rich yet

But we rich in trust,

when it all fall down

It's still us

They don't know the

miles we been through

I ain't leaving, I'm 10 toes with you

If tomorrow's shaky, I won't fall

Still here even when the story cold

From the basement

talks to the bigger plans

Same loyalty, same helping hand

If the crown heavy, let me hold it too

If the sky fall down, I'm under you

This ain't life, this a lifetime vow

I'm here, then I'm here now

I'll be there when it's hard to breathe

When belief gonna listen

If the world turned cold, lights go low

I'll be there, I won't let go

When the tears fall deep,

when the hurt too real

When you don't know

what you're supposed to feel

Through the highs and the lows we go

I'll be there, yeah, you already know

I'll be there when it's hard to breathe

And believe gonna listen up

If the world turned cold, lights go low

I'll be there, I won't let go

When the tears fall deep,

when the hurt too real

When you don't know

what you're supposed to feel

Through the highs and the lows we go

I'll be there, yeah, you already know

Ah ha ha Times tough

Ah ha ha But we tougher

Ah ha ha

Still standing with each other now

Ah ha ha

Ah ha ha

Ah ha ha

(thrilling music) (logo rattles)

(tense music) (thunder roaring)